The Legend Lives On... Jah Wobble in "Betrayal" | ||||
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Studio album by | ||||
Released | May 1980 | |||
Studio | Gooseberry Sound Studios, London; The Barge (a recording studio built by sound engineer Tom Newman on board of Richard Branson's houseboat "Duende" on Regent's Canal, London W9 | |||
Genre | ||||
Length | 39:08 | |||
Label | Virgin VS337 | |||
Producer | Eddie Jobson | |||
Jah Wobble chronology | ||||
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The Legend Lives On... Jah Wobble in "Betrayal" is the debut studio album by English bass guitarist Jah Wobble. Produced by musician Eddie Jobson, it was released in May 1980 through Virgin Records. A dispute over the use of rhythm tracks from his then band Public Image Ltd. on the album led to his departure from the band.
The album features a largely "guitar-free" sound, infused in reggae and punk-inspired dub." [1] [2] According to Trouser Press , Wobble "accentuates his reggae pretensions, fiddles with electronics and overdubbing and plays shadowy, threatening bass." [3]
The tracks "Not Another" and "Blueberry Hill" primarily feature rhythm tracks originally recorded during the sessions for Public Image Ltd.'s second studio album, Metal Box (1979). [2] This caused a dispute between Wobble and frontman John Lydon, which ultimately led to Wobble's departure in 1980. [1] [4]
Virgin Records' 1990 CD reissue of the album features seven bonus tracks, including a horn-laden remix of "Today Is the First Day." [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Allmusic critic Andy Kellman panned the Wobble's vocals on the album, describing them as "awful, most resembling a liquored up Colin Newman." However, Kellman also wrote: "Aside from these gripes, it remains a pretty strong record. The Legend Lives On's finer moments often occur when Wobble's mouth is shut, or when he chants rather than sings." [2] Trouser Press similarly criticized the vocals, while at the same time regarding it as "a return to the DIY, no-rules punk tradition." [3]
All tracks are written by Jah Wobble except where noted.
Album personnel as adapted from Allmusic. [5]
Public Image Ltd are an English post-punk band formed by lead vocalist John Lydon, guitarist Keith Levene, bassist Jah Wobble, and drummer Jim Walker in May 1978. The group's line-up has changed frequently over the years; Lydon has been the sole constant member.
John Joseph Wardle, known by the stage name Jah Wobble, is an English bass guitarist and singer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s; he left the band after two albums.
Julian Keith Levene was an English musician who was a founding member of both the Clash and Public Image Ltd (PiL). While Levene was in PiL, their 1978 debut album Public Image: First Issue reached No 22 in the UK album charts, and its lead track "Public Image" broke the top 10 UK singles chart.
Metal Box is the second studio album by Public Image Ltd, released by Virgin Records on 23 November 1979. The album takes its name from the round metal canister which contained the initial pressings of the record. It was later reissued in standard vinyl packaging as Second Edition in February 1980 by Virgin Records in the United Kingdom, and by Warner Bros. Records and Island Records in the United States.
The Flowers of Romance is the third studio album by English post-punk band Public Image Ltd, released on 10 April 1981 by Virgin Records.
Public Image: First Issue is the debut studio album by English rock band Public Image Ltd, released in 1978 by record label Virgin.
Joy is the fourth studio album by Scottish punk rock and new wave band Skids. It was their first album after the departure of signature guitarist Stuart Adamson who went on to found Big Country. It represented a change of direction from rock towards folk music—amplifying the traditional Scottish element already hinted at in previous releases. This would be their last album until the release of Burning Cities over 36 years later.
"Death Disco" is a song by Public Image Ltd. The record was released in both 7" and 12" single formats with a "½ Mix" of the song and "Megga mix" on the 12" version. It reached number twenty on the UK Singles Chart. The song was released in an alternative shorter version as "Swan Lake" on the group's second album, Metal Box, with slight changes at the end. The title change reflects the quote from Tchaikovsky's ballet score that surfaces in Keith Levene's guitar part.
Fugazi, also known as the EP 7 Songs, is the debut eponymous release by the American post-hardcore band Fugazi. As with subsequent release Margin Walker, Guy Picciotto did not contribute guitar to this record; all guitar was performed by Ian MacKaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release 13 Songs along with the following EP Margin Walker. The photo used for the album cover was taken on June 30, 1988 at Maxwell's in Hoboken, New Jersey.
Margin Walker is the second EP by the American post-hardcore band Fugazi. It was originally released in June 1989 on vinyl and again in the same year on the compilation release 13 Songs along with the debut EP Fugazi. The 12" vinyl went out of print, but was remastered and reissued by Dischord Records in October 2009.
The Gladiators are a Jamaican roots reggae band, most popular during the 1970s. The core was Albert Griffiths, Clinton Fearon and Gallimore Sutherland. Their two most famous albums are Trenchtown Mix Up (1976) and Proverbial Reggae (1978) with songs such as "Hearsay", "Jah Works", "Dreadlocks the Time is Now". "Mix Up", "Music Makers from Jamaica", and "Soul Rebel" – a song written by The Wailers. Gladiators also cooperated with the toaster U-Roy.
The Armoury Show were a British new wave band, formed in 1983 and consisting of Richard Jobson on vocals, Russell Webb on bass guitar, John McGeoch on guitar and John Doyle on drums.
Farover is an album by the Jamaican reggae singer and musician Burning Spear, released in 1982.
Spinner is an instrumental album by British musicians Brian Eno and Jah Wobble, released in 1995.
Wayne Jobson, also known as Native Wayne, is a Jamaican record producer of European ancestry. He has worked with such artists as No Doubt, Gregory Isaacs and Toots & the Maytals. He hosts the weekly radio show "Alter Native" every Sunday afternoon on Indie 103.1. He previously hosted a similar radio show, "Reggae Revolution", at Indie's main competitor KROQ-FM. Jobson is also known as a musician. He recorded an album in 1977 produced by Lee 'Scratch' Perry at the Black Ark.
Paris au Printemps is a live album recorded by Public Image Ltd in 1980 on two consecutive dates in January in Paris, and released in November the same year. The title of the album is French for 'Paris in the Spring', with French names also given to the band itself and songs in the track listing. It is notable as the band's last full-length release featuring founding bass player Jah Wobble, as well as the Paris concerts being drummer Martin Atkins' first gigs with Public Image Ltd. The album reached number 61 on the UK album charts.
Rising Above Bedlam is an album by Jah Wobble's Invaders of the Heart, released by Oval Records in 1991.
Radioaxiom: A Dub Transmission is a collaborative album by Bill Laswell and Jah Wobble, released on September 18, 2001, by Axiom and Palm Pictures.
Look, Here Come the Wormies / SS Social Service is a split 7-inch vinyl single with one song each from Victoria, British Columbia punk rock bands Nomeansno and Mass Appeal, artist Ray Carter's first audio work. The record was independently issued in a limited run in 1980 and has not been re-released. It is the first Nomeansno record and one of two, along with the Betrayal, Fear, Anger, Hatred EP, from the band's home-recording era before they became a live band.
"Disappointed" is a 1989 song by post-punk group Public Image Ltd. It was the first single from 9, their seventh studio album. Lyrically, the song was inspired by John Lydon's experiences with friends within the band throughout its history, who he commented often let him down. Musically, guitarist John McGeoch used an alternate tuning courtesy of Who guitarist Pete Townshend to begin composing the song.
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